TRANSCENDENTALISM

TRANSCENDENTALISM
AN INTRODUCTION
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TRANSCENDENTALISM
AN INTRODUCTION

Slide 1 - Diapositive

When something 'transcends' something else, what does it do?

Slide 2 - Question ouverte

Can you change who you are? Or is the concept of 'you' unchangeable?

Slide 3 - Question ouverte

Are you who you are? Or are you still becoming who you think you will be?

Slide 4 - Question ouverte

“To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.” 
- Ralph Waldo Emerson

Slide 5 - Diapositive

Transcedentalism
is a very formal word  that describes a very simple idea. 

People, men and women equally, have knowledge about themselves and the world around them that "transcends" or goes beyond what they can see, hear, taste, touch or feel.

Slide 6 - Diapositive

Slide 7 - Diapositive

Why would people in the early 19th century want to move away from rationalism and toward nature?

Slide 8 - Question ouverte

“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived." 
- Henry David Thoreau

Slide 9 - Diapositive

Transcendentalism (1820s-1850s)



- Five 'pillars': nonconformity, self-reliance, free thought, confidence, and the importance of nature. 
- The 'Over-Soul': everyone is eternally connected 
with every other living thing in the universe.

Slide 10 - Diapositive

“Make your own Bible. Select and collect all the words and sentences that in all your readings have been to you like the blast of a trumpet.”
- Ralph Waldo Emerson

Slide 11 - Diapositive

William Blake, 
"Frankenstein", 
"Dracula", 
a.m.o.

Slide 12 - Diapositive


Let's have a look
at one of the 
transcendentalist
greats:

Emily Dickinson 

Slide 13 - Diapositive

“Because I could not stop for Death –
He kindly stopped for me –
The Carriage held but just Ourselves –
And Immortality.”
- Emily Dickinson

Slide 14 - Diapositive

4

Slide 15 - Vidéo

01:18
Based on this stanza, is Dickinson more of a fan
of microscopes
than of faith?

Slide 16 - Question ouverte

03:08
Can the 'American Dream', where you're in control of your own life and destiny, be combined with being very religious and believing God is the one pulling the strings?

Slide 17 - Question ouverte

03:36
Which big event in American history happened during those years of peak poem production?

Slide 18 - Question ouverte

06:03
Flies buzz, a person is dying and 'the King' is 'witnessed in the room'. Who might 'the King' be?

Slide 19 - Question ouverte

"I felt my life with 
both my hands" 

- Emily Dickinson, 1861

Slide 20 - Diapositive

I felt my life with both my hands
To see if it was there –

What does she mean with 'to see if it was there'?

Slide 21 - Question ouverte

I held my spirit to the Glass,
To prove it possibler –

'Glass' means mirror here.
What is she trying to prove?

Slide 22 - Question ouverte

I turned my Being round and round
And paused at every pound
To ask the Owner's name —
For doubt, that I should know the Sound —

She's uncertain if she knows the name of the owner of her 'Being'.
Who might it be?

Slide 23 - Question ouverte

I judged my features — jarred my hair —
I pushed my dimples by, and waited —
If they — twinkled back —
Conviction might, of me —

What is she inspecting here?

Slide 24 - Question ouverte

I told myself, "Take Courage, Friend —
That — was a former time —
But we might learn to like the Heaven,
As well as our Old Home!"

What's 'our Old Home'? And what does 'Heaven' point toward?

Slide 25 - Question ouverte

Is this a poem about fear of aging and death, or about acceptance of those things?

Slide 26 - Question ouverte

Which transcendental qualities and characteristics did this poem have?

Slide 27 - Question ouverte

Slide 28 - Diapositive