Cette leçon contient 18 diapositives, avec diapositives de texte.
La durée de la leçon est: 15 min
Introduction
Extension of 'Spot the difference: The Yellow House (1)'
Instructions
See 'Spot the difference: The Yellow House (1)'
Éléments de cette leçon
Artist Vincent van Gogh
Title The Yellow House ('The street')
Date June 1888
Location Arles, France
Collection Van Gogh Museum, Amsterdam
Slide 1 - Diapositive
Have you already done the lesson 'Spot the difference: The Yellow House (1)'? Review that lesson briefly. Remind the class of a few basic facts about the painting The Yellow House and the artist, Vincent van Gogh.
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Slide 2 - Diapositive
Cet élément n'a pas d'instructions
Did you look closely?
Now find the difference!
Slide 3 - Diapositive
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Slide 4 - Diapositive
To avoid confusion, every modified version is marked with the words, 'What is wrong with this painting?'
Answer: The second railway bridge on the right has one more pillar than in the original painting.
Slide 5 - Diapositive
Cet élément n'a pas d'instructions
Did you look closely?
Spot the difference!
Slide 6 - Diapositive
Cet élément n'a pas d'instructions
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Slide 7 - Diapositive
Answer: The lamp post on the left side of the painting is missing.
Slide 8 - Diapositive
Did you look closely?
Spot the difference!
Slide 9 - Diapositive
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Slide 10 - Diapositive
Answer: Compared to the original painting, the train is going in the opposite direction.
Slide 11 - Diapositive
Did you look closely?
Spot the difference!
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Slide 13 - Diapositive
Answer: The large heap of sand in the lower left corner is missing.
Slide 14 - Diapositive
Did you look closely?
Spot the difference!
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Slide 16 - Diapositive
Answer: In the dark window on the top floor of the house behind Vincent's, a white dot is missing.
Slide 17 - Diapositive
Ask the class if they have ideas about what that white dot could be. It looks as if the window is open and someone inside is wearing a white cap. But it could also be something very different. Which difference was the hardest one to find? Did the differences make the painting completely different, or did they not really matter very much?