Shakespeare Rhytme

Verse
Prose
Rhytme
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Slide 1: Diapositive
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Verse
Prose
Rhytme

Slide 1 - Diapositive

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When does Shakespeare use prose and verse? 

Slide 2 - Diapositive

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Slide 3 - Vidéo

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How does Shakespeare use verse and prose?
  • nobility (higher status) speak in verse - iambic pentameter (ten unstressed - stressed syllable)
  • (generally) comedic characters speak in prose
  • supernatural characters (witches) speak in trochaic tetrameter (eight syllables per line; pattern: stressed - unstressed syllable)

Slide 4 - Diapositive

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Shakespeare's Rhytme 
Iambic pentameter, in poetry, a line of verse composed of ten syllables arranged in five metrical feet (iambs), each of which consists of an unstressed syllable followed by a stressed syllable. The line can be rhymed,, or unrhymed, as in blank verse. 
This rhythmic structure was introduced to the English language in the 14th century by English poet Geoffrey Chaucer. Iambic pentameter has been the predominant metre in English verse since the 16th century. Its unstressed-stressed beat is similar to that of a human heartbeat, and English author William Shakespeare used its rhythm and flow to pace his sonnets and plays. It was also used by English author John Milton in his epic poem Paradise Lost (1667).

Slide 5 - Diapositive

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Slide 6 - Vidéo

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Shakespeare's Use of  Rhythm
Both written and spoken language use rhythm or metre - a pattern of stressed and unstressed syllables. 

  • blank verse   - iambic pentameter  
  • rhymed verse
  • prose


pentameter
Pentameter means there are five poetic feet. 

Slide 7 - Diapositive

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Blank verse: Iambic pentameter - the basis of Shakespeare's writing
The opening line of Twelve Night 

'If music be the food of love play on'
            
If muIsic beI the foodI of loveI play on 

Slide 8 - Diapositive

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Slide 9 - Vidéo

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Rhymed verse and trochaic tetrameter
to distinguish his characters 
While blank verse forms the basis of Shakespeare's writing, he often uses rhyme:
  • Hamlet: The play's the thing
Wherein I'll catch the conscience of the King
  • Macbeth - witches ( a musical pattern for supernatural characters)
Double, double, toils and trouble    (trochaic tetrameter - 8 syllables per line)
Fire burn and cauldron bubble
It is always helpful to ask why Shakespeare is using rhyme at a particular point and what effect it has. 

Slide 10 - Diapositive

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Slide 11 - Vidéo

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Prose
The convention in Shakespeare's time was to write plays in verse. His extensive use of prose is yet another sign of his inventiveness to break with custom when it served his plan. 
  • Often, lower class or comic characters speak prose while the more socially or morally elevated characters speak in verse.
  • Why?  it can indicate the degeneration of a noble nature of the character.
a swift movement from prose to poetry or the reverse is always the indication of change. 

Slide 12 - Diapositive

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Prose
Brutus in Julius Caesar
Romans, countrymen, and lovers, hear me for my cause and be silent
that you may hear. Believe me for mine honour, and have respect to
mine honour, that you may believe. Censure me in your wisdom, and
awake your senses that you may the better judge. If there be any in
this assembly, any dear friend of Caesar's, to him I say that Brutus'
love to Caesar was no less than his. If then that friend demand why
Brutus rose against Caesar, this is my answer: not that I loved Caesar
less, but that I loved Rome more…
In Julius Caesar, Brutus chooses prose over verse when he sets out to convince the citizens that the conspirators were right to murder Caesar. 

Slide 13 - Diapositive

censure: strong criticism or disapproval 

Slide 14 - Vidéo

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