Master of art

Master of art
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Master of art

Slide 1 - Diapositive

The dutch golden age
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century
The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art. 
A distinctive feature of the period is the emergence of distinct genres of paintings, with the majority of artists producing the bulk of their work within one of these. 

Slide 2 - Diapositive

Finding your niche
The widely held theory of the "hierarchy of genres" in painting, whereby some types were regarded as more prestigious than others, led many painters to want to produce history painting. However this was the hardest to sell, as even Rembrandt found. Many were forced to produce portraits or genre scenes, which sold much more easily. 

the categories in the hierarchy were:
history painting, including allegories and popular religious subjects.
Portrait painting, including the tronie
genre painting or scenes of everyday life
landscape, including seascapes, battlescenes, cityscapes, and ruins 
still life

Slide 3 - Diapositive

What soort of
painting would you order
if you'd live in
the Golden age?

Slide 4 - Carte mentale


A
history painting, including allegories and popular religious subjects.
B
genre painting or scenes of everyday life
C
Portrait painting, including the tronie
D
landscape, including seascapes, battlescenes, cityscapes, and ruins

Slide 5 - Quiz


A
history painting, including allegories and popular religious subjects.
B
genre painting or scenes of everyday life
C
Portrait painting, including the tronie
D
landscape, including seascapes, battlescenes, cityscapes, and ruins

Slide 6 - Quiz


A
history painting, including allegories and popular religious subjects.
B
genre painting or scenes of everyday life
C
Portrait painting, including the tronie
D
landscape, including seascapes, battlescenes, cityscapes, and ruins

Slide 7 - Quiz


A
history painting, including allegories and popular religious subjects.
B
genre painting or scenes of everyday life
C
Portrait painting, including the tronie
D
landscape, including seascapes, battlescenes, cityscapes, and ruins

Slide 8 - Quiz


A
history painting, including allegories and popular religious subjects.
B
genre painting or scenes of everyday life
C
Portrait painting, including the tronie
D
landscape, including seascapes, battlescenes, cityscapes, and ruins

Slide 9 - Quiz


A
history painting, including allegories and popular religious subjects.
B
genre painting or scenes of everyday life
C
Portrait painting, including the tronie
D
landscape, including seascapes, battlescenes, cityscapes, and ruins

Slide 10 - Quiz

Landscape
Born in Amsterdam, Hendrick Avercamp (1585-1634) grew up in Kampen. He lived and worked there from 1614 until his death in 1634. Avercamp is mentioned in various documents as the Kampen Mute, so it is assumed that he was deaf and dumb. Avercamp specialised in winter landscapes. He adopted the Flemish tradition. Avercamp's early landscapes have a clear narrative in style and later, his work acquired a more atmospheric quality.

Slide 11 - Diapositive

Slide 12 - Diapositive

What does the word Narrative mean in this art context?
A
With lots of details
B
Telling a story
C
True to life
D
A winter landscape

Slide 13 - Quiz

Narrative
The paintings are narrative, with many anecdotes. For instance, included in the painting "Winter landscape with skaters" are several lively details or little jokes: a couple making love, naked buttocks, and a peeing male.

Slide 14 - Diapositive

Depth
Avercamp used the painting technique of aerial perspective. 
The depth is suggested by change of color in the distance. 
To the front objects are painted in richer colors, such as trees or a boat, while farther objects are lighter. 
This technique strengthens the impression of depth in the painting.

Slide 15 - Diapositive

Forms
of showing
depth on a
flat surface

Slide 16 - Carte mentale

Depth
Aerial perspective: colours become less vibrant the farther away they are
Linear perspective: a system where all parallel lines converge in a single vanishing point on the composition's horizon line.
Overlap: objects are placed in front of each other
Placement/Stacking: objects are placed higher to appear farther away
Diminisching scale/detail: objects are smaller and less details when farther away.

Slide 17 - Diapositive


A
Overlap
B
Placement/Stacking
C
Diminishing scale/detail
D
linear perspective.

Slide 18 - Quiz


A
Overlap
B
Placement/Stacking
C
Diminishing scale/detail
D
linear perspective.

Slide 19 - Quiz


A
Overlap
B
Placement/Stacking
C
Diminishing scale/detail
D
linear perspective.

Slide 20 - Quiz


A
Overlap
B
Placement/Stacking
C
Diminishing scale/detail
D
aerial perspective.

Slide 21 - Quiz


A
Overlap
B
Placement/Stacking
C
Diminishing scale/detail
D
aerial perspective.

Slide 22 - Quiz

Slide 23 - Vidéo

Slide 24 - Diapositive

How can you see
these two were
very wealthy

Slide 25 - Carte mentale

Slide 26 - Vidéo

Slide 27 - Diapositive

Rembrant and Caravaggio
Rembrandt was highly inspired by Caravaggio's use of light and dark.
We use the Italian word Chiaroscuro this roughly means, “light and dark.”
In French this is Clair Obscure.


Slide 28 - Diapositive

Contrast in light and dark
Chiaroscuro or Clair Obscure: a big contrast in light and dark
Repoussoir: the light is pushed back or surrounded by dark

Look at the pictures and choose if its clair obscure or repoussoir.

Slide 29 - Diapositive


A
Chiaroscuro
B
Repoussoir

Slide 30 - Quiz


A
Chiaroscuro
B
Repoussoir

Slide 31 - Quiz


A
Chiaroscuro
B
Repoussoir

Slide 32 - Quiz


A
Chiaroscuro
B
Repoussoir

Slide 33 - Quiz

For now the end of the lesson
next week we'll discuss:
the baroque period in art history
Composition
and movement
Homework:
Look for a picture of a figure piece from the Baroque
Take a good look at the proportions and try to sketch it.



Slide 34 - Diapositive