What are the characteristics of a civilised society?
Is there such a thing as a barbaric or savage society?
What behaviours and practices would not be tolerated in a civilised society?
Slide 2 - Tekstslide
The action now moves to Cyprus
Slide 3 - Tekstslide
What is a civilised society?
In contrast to sophisticated Venice, Renaissance Cyprus was the “Wild West” of Europe.
Situated perilously close to the Muslim Ottoman Empire (modern day Turkey), it was a constant war zone and extremely dangerous.
It was an overseas possession of the Republic of Venice from 1489 until the Ottomans conquered it in 1570. The action is set before the Ottoman Empire took Cyprus between 1570 - 1573.
The island is still divided to this day, one part Turkish, one part Greek.
Slide 4 - Tekstslide
The rest of the play is set in Cyprus
In the play, Cyprus has a military encampment and Othello (mistakenly) believes that he and his wife will be safe there. It is a militaristic place, with a masculine atmosphere, and a thousand miles from the culture and sophistication of Venice.
Such an isolated and violent setting on the edge of the ‘civilised’ world is the perfect setting for a marriage to unravel. It is tragically ironic that a great soldier should die for love in a war zone.
Slide 5 - Tekstslide
Connections with Venus the goddess of love
Cyprus was the birthplace of Venus or Aphrodite, the goddess of love and desire, who reputedly was born in ocean foam and washed ashore near Nicosia.
Cyprus provides the perfect location for Iago to convince Othello of his wife's sexual infidelity.
Slide 6 - Tekstslide
What are the connotations of each of these quotes?
“one that excels the quirks of blazoning pens” 1.2.63
“divine Desdemona” 1.2.73
Slide 7 - Tekstslide
Cassio
Young, sophisticated Venetian
Educated but inexperienced in battle, “never set a squadron in the field”
Cares deeply about his reputation
Charming and well mannered
Handsome
Loyal and devoted to Othello
Slide 8 - Tekstslide
Cassio vs Iago - foil characters
Cassio:
chivalrous
loyalty
honourable
Gallant towards women
Honest devotion to Othello charming
Iago:
misogyny
pretended devotion
Dishonest
Rude and offensive language
Slide 9 - Tekstslide
Read from Desdemona’s entrance to Othello’s exit
In pairs you will be given one of the following characters to explore:
Desdemona
Othello
Iago
Using the prompt questions analyse the presentation of those characters, and their relationships in this part of the scene. Be ready to teach each other.
Slide 10 - Tekstslide
Read from Desdemona’s entrance to Othello’s exit
In pairs you will be given one of the following characters to explore:
Desdemona
Othello
Iago
Using the prompt questions analyse the presentation of those characters, and their relationships in this part of the scene. Be ready to teach each other.
Slide 11 - Tekstslide
Read from Desdemona’s entrance to Othello’s exit
Slide 12 - Tekstslide
Read from Desdemona’s entrance to Othello’s exit
Make groups of three
In each group there is at least one person presenting your group's findings on Desdemona, Iago and Othello.
Share with the mixed group the questions and your answers.
Write down, in your exercise book, the information you gained.
Slide 13 - Tekstslide
Iago a misogynist?
2.1.102
1. List the complaints that Iago has about women.
2. Why do you think Emilia does not protest?
3. Look at the conversation with Desdemona that ensues (to line 160). What does that tell us about Iago and Desdemona?