A preoccupation with the unresolved past informs many Southern Gothic novels, as characters are forced to confront the South’s legacy of racism, slavery, and violence, often in the form of either literal or figurative ghosts. In Mockingbird, the character of Boo Radley functions as a living ghost, both in terms of his physical appearance and his name. The novel’s plot centers on an act of violence, and the town’s deep-seated racism informs the outcome. However, To Kill a Mockingbird is not as gruesome as other examples of the genre, and Lee’s characters are more sympathetic than in many Southern Gothic novels, whose authors exaggerate their characters’ defects for comedic purposes.