An Actor's Work by Konstantin Stanislavski (1863-1938) - Ethics and Discipline
“(…) It only needs one small bit-part not to show up after the stage manager has rung the bell for there to be an inevitable hitch. Quite some time elapses while they look for the latecomer in the labyrinthine world backstage. Naturally, he will produce a hundred excuses – he didn’t hear the bell, he couldn’t get dressed and made up, his costume is torn, etc., etc. But can these excuses make up the time lost, repair the damage, fill the gap?
‘Don’t forget, there are many people involved in a show and if they don’t all pay sufficient attention to their jobs, who can guarantee there won’t be any hold-ups between the acts, or that actors won’t be late and put the other members of the cast in an impossible position? ‘Stagehands, props men and lighting men can cause delay and confusion, too, when they don’t set things properly, or take their cue, or give a lighting or sound effect. ‘Every member of the team must feel he is a “cog” in a large, complex machine, and be clearly aware of the danger to the whole show if he doesn’t do what he should, or if he departs from established procedure. ‘All you students are small cogs in a complex machine, the theatre, too, and on you depends the success, fate, well-being of the show, not only while the curtain is up, but when it is down and heavy, physical work is done, changing huge flats, putting up enormous rostrums, and actors are doing quick costume and make-up changes in their dressing rooms. When this is done in a disorderly, disorganized fashion, the audience feels it. The backstage exertions are transmitted out front, and are reflected in the ponderousness of the performance. ‘Add to that possible intervals between the acts and the show seems to be in great danger. ‘There is one way to avoid that – iron discipline. It’s essential in all artistic teamwork, be it an orchestra, a choir, or any other kind of ensemble. ‘And it applies even more to a complex stage performance. ‘There must be organization and model order in our artistic teamwork, so that the mechanics of the show proceed without a hitch.