Culturele en kunstzinnige vormingMiddelbare schoolhavo, vwoLeerjaar 4
In deze les zitten 40 slides, met interactieve quizzen, tekstslides en 5 videos.
Lesduur is: 120 min
Onderdelen in deze les
Film
Cinematografie
Slide 1 - Tekstslide
Cinematography
Film art; the art and technology involved in filmmaking
Slide 2 - Tekstslide
Write down your top 3 favorite movies of all time and explain why.
timer
5:00
Slide 3 - Tekstslide
Why do we watch movies?
Slide 4 - Open vraag
Kuleshov-effect
(Kuleshov was a Russian filmmaker who first experimented with montage as an art form-1918)
The Kuleshov effect assumes that you as a viewer draw your own conclusion from the images you see.
Slide 5 - Tekstslide
Alfred Hitchcock made good use of the Kuleshov effect. So he calls it
'Pure Editing'
Slide 6 - Tekstslide
Camera and framing
Slide 7 - Tekstslide
Camera positions: to determine the direction of view or perspective.
Slide 8 - Tekstslide
Camera Movement
Tilt: camera recording with the camera moving upwards
Panoramic shot: rotating camera
Lift: camera moves vertically on a crane
Dolly: camera on rails moves horizontally
Slide 9 - Tekstslide
Camera perspective
Slide 10 - Tekstslide
Camera perspective
Objective and Subjective
Slide 11 - Tekstslide
Objective
Far away;
you see the situation from some distance. As a spectator, not as a participant.
Subjectief
The spectator is led, the spectator imagines himself in the action; looks at the actor(s).
Slide 12 - Tekstslide
Slide 13 - Video
Rhythm
Very important during installation.
The duration of a shot and its relation to other shots causes a psychological effect on the viewer. In e.g. Westerns it is common to start with long shots that get shorter and shorter; this creates tension. With a very short shot, the viewer picks up only the most eye-catching elements.
Think of: camera position, camera movement, objective / subjective perspective, color, lighting and focus.
Slide 23 - Tekstslide
THRILLER
Exciting story with an impending danger, alternating slow and fast shots, building up tension, close-ups of the character's reactions, scaring the audience, cutting music with sudden sound accents. Plot twists, Suspense, Distractions
Slide 24 - Tekstslide
Drama
Emotional themes and problems between people. Often combined with other genres. Filmmaker does his best to allow the viewer to empathise with the characters.
Dramas are mainly: War films, costume dramas, detectives and biographies.
Action film is more about action than personal drama, the genres often overlap.
Slide 25 - Tekstslide
Slide 26 - Tekstslide
Art House Films
Primarily have an artistic purpose. The storyline is experimental and often difficult to follow. Are less commercial and do not need to reach a large audience. They are less dependent on large production houses and are easier to finance.
Slide 27 - Tekstslide
Comedy
The emphasis is on humour. Humor is universal and easy to communicate, even without sound.
Long comedy films often have the aspect of drama, such as Forrest Gump. The life of a man with a low IQ coincides with important historical moments in North America.
Slide 28 - Tekstslide
Horror
Horror movies are more about fear and horror with a lot of clichés. Often a small group or individual faces danger such as an assassin, ghosts and aliens
Slide 29 - Tekstslide
Documentary
Non-fiction. Purpose: To inform the viewer
Moments in history, a political issue, a social issue or a life story - such as a biopic.
A biopic, film biography or biographical film is a film that tells the life of one or more real persons. The word is an English contraction of biographical and image. Since the 1980s, biographical films have become increasingly popular.
Slide 30 - Tekstslide
Science Fiction/Fantasy
Special effects, futuristic aspects (scientific technology) aliens or past/future creatures, general shots, multiple genres, most common in action
Slide 31 - Tekstslide
Anime & Animated Movies
Slide 32 - Tekstslide
Samenvatting opdracht
Slide 33 - Tekstslide
Planning
- Vandaag in groepjes aan script en storyboard. Let ook op camera angles and camera movements.