Othello Act 2 si

Lesson objectives 
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Slide 1: Slide
EngelsFurther Education (Key Stage 5)

This lesson contains 14 slides, with text slides.

time-iconLesson duration is: 60 min

Items in this lesson

Lesson objectives 

Slide 1 - Slide

What is a civilised society? 
Are we clear on what this is?

What are the characteristics of a civilised society?

Is there such a thing as a barbaric or savage society?

What behaviours and practices would not be tolerated in a civilised society?

Slide 2 - Slide

The action now moves to Cyprus 

Slide 3 - Slide

What is a civilised society? 
  • In contrast to sophisticated Venice, Renaissance Cyprus was the “Wild West” of Europe.
  • Situated perilously close to the Muslim Ottoman Empire (modern day Turkey), it was a constant war zone and extremely dangerous.
  • It was an overseas possession of the Republic of Venice from 1489 until the Ottomans conquered it in 1570. The action is set before the Ottoman Empire took Cyprus between 1570 - 1573. 
  • The island is still divided to this day, one part Turkish, one part Greek.

Slide 4 - Slide

The rest of the play is set in Cyprus 
In the play, Cyprus has a military encampment and Othello (mistakenly) believes that he and his wife will be safe there. It is a militaristic place, with a masculine atmosphere, and a thousand miles from the culture and sophistication of Venice.

Such an isolated and violent setting on the edge of the ‘civilised’ world is the perfect setting for a marriage to unravel. It is tragically ironic that a great soldier should die for love in a war zone.

Slide 5 - Slide

Connections with Venus the goddess of love 
Cyprus was the birthplace of Venus or Aphrodite, the goddess of love and desire, who reputedly was born in ocean foam and washed ashore near Nicosia. ​
Cyprus provides the perfect location for Iago to convince Othello of his wife's sexual infidelity.​

Slide 6 - Slide

What are the connotations of each of these quotes? 
“the riches of the ship” 2.1.83
https://www.rsc.org.uk/othello/past-productions/iqbal-khan-2015-production/production-and-rehearsal-photos#&gid=1&pid=11
“Our great captain’s captain” 2.1.74
“a maid that paragons description”​ 2.1.61-62
“one that excels the quirks of blazoning pens” 1.2.63
“divine Desdemona” 1.2.73

Slide 7 - Slide

Cassio
  • Young, sophisticated Venetian​
  • Educated but inexperienced in battle, “never set a squadron in the field”​
  • Cares deeply about his reputation​
  • Charming and well mannered​
  • Handsome​
  • Loyal and devoted to Othello

Slide 8 - Slide

Cassio vs Iago - foil characters 
Cassio:
chivalrous 
loyalty 
honourable 
Gallant towards women 
Honest devotion to Othello  charming 

Iago:
misogyny ​
pretended devotion
Dishonest 
Rude and offensive language 

Slide 9 - Slide

Read from Desdemona’s entrance to Othello’s exit ​
In pairs you will be given one of the following characters to explore:​
Desdemona​
Othello​
Iago​
Using the prompt questions analyse the presentation of those characters, and their relationships in this part of the scene. Be ready to teach each other.​

Slide 10 - Slide

Read from Desdemona’s entrance to Othello’s exit ​
In pairs you will be given one of the following characters to explore:​
Desdemona​
Othello​
Iago​
Using the prompt questions analyse the presentation of those characters, and their relationships in this part of the scene. Be ready to teach each other.​

Slide 11 - Slide

Read from Desdemona’s entrance to Othello’s exit ​

Slide 12 - Slide

Read from Desdemona’s entrance to Othello’s exit ​
  1. Make groups of three 
  2. In each group there is at least one person presenting your group's findings on Desdemona, Iago and Othello. 
  3. Share with the mixed group the questions and your answers. 
  4. Write down, in your exercise book, the information you gained. 

Slide 13 - Slide

Iago a misogynist? 
2.1.102
1. List the complaints that Iago has about women. 
2. Why do you think Emilia does not protest? 
3. Look at the conversation with Desdemona that ensues (to line 160). What does that tell us about Iago and Desdemona?

Slide 14 - Slide