Dadaïsme

TOTAL WAR     &      DADAÏSM 
                                                                           1916-1923
   WW1 1914-1918
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KunstMiddelbare schoolhavoLeerjaar 5

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TOTAL WAR     &      DADAÏSM 
                                                                           1916-1923
   WW1 1914-1918

Slide 1 - Diapositive

DADAÏSM

Slide 2 - Carte mentale

DADAÏSM
IN GENERAL
The movement began in Zurich, Switzerland, with artists such as Hugo Ball, Tristan Tzara, and Hans Arp.

A reaction to the absurdity and senselessness of World War I.

Dadaism is characterized by a strong rejection of traditional norms and conventions in art and culture.

The Dada artists were involved in a mix of visual arts, poetry, theater, and graphic design.

Slide 3 - Diapositive

DADAÏSM
VISUAL ASPECTS
1. Anti-art – Artworks were often deliberately made absurd, chaotic, or ugly.
2. Absurdity and irrationality – The Dada movement embraced the absurd and irrational, believing that logic and reason had led to the horrors of war.
3. Chance and spontaneity
4. Ready-mades – This concept involved declaring everyday objects, like a urinal or a bicycle wheel, as art without any modification.
5. Multidisciplinary
6. Provocation and social criticism – Dadaists used their art to provoke and criticize society.
7. Anti-establishment – The movement opposed the established order, including the academic art world, which they saw as rigid and outdated.

Slide 4 - Diapositive

COLLAGE
Kurt Schwitters 
the docter
1919
DADAÏSM

Slide 5 - Diapositive

DADAÏSM
SCULPTURE
  • Origin of Ready-mades and Marcel Duchamp is the first to work with ready-mades. 


Marcel Duchamp
Fountain 
1917

Slide 6 - Diapositive

PAINTINGS
Marcel Duchamp
Mona Lisa met snor

DADAÏSM

Slide 7 - Diapositive

Which characteristics are associated with Dadaism? Multiple answers are correct.
A
Anti-art
B
Protest-art
C
Readymades
D
Collagetechniques

Slide 8 - Quiz


"Is het Kunst of mag het weg?" 

Slide 9 - Question ouverte

WW1 was a "Total War"
Total war involves the complete mobilization of a society’s resources for conflict. Its key principles are:

Slide 10 - Question ouverte

Global Scope the whole world is involved

Industrial all means of production

All in, either victory or annihilation 

Homefront is involved

Resources all resources dedicated to win

Slide 11 - Diapositive

CONSEQUENCES OF TOTAL WAR
IDENTITY / WORLD VIEW

Slide 12 - Carte mentale





High Civilian Casualties

Economic Impact

Social Disruption: Shift in gender roles, family disruptions, displacement

Psychological Trauma: Loss, trauma

Political Consequences: Changes in national borders, displacement, politic changes

Humanitarian Crises: Refugee crises, famine, and disease outbreaks

Technological Advancements: new technologies

Slide 13 - Diapositive

Slide 14 - Diapositive